Depiction of European nature by an Egyptian poet: An aesthetic analysis of Ali Mahmoud Taha's poetry

Abstract

This study analyses the depiction of European nature by an Egyptian poet, Ali Mahmoud Taha. Taha spent a considerable period of his life travelling across the cities and provinces of Europe, noting in particular, the manifestations of nature so different from his own country. These manifestations, being part of his poetic experience, find detailed reflections in his poetry, at times approaching the abstract. This study applied aesthetic thematic analysis to describe the European nature not as an abstract one, but rather as a concrete entity in the poet’s feelings and expression. The analysis reveals that Taha's exploration of beauty in his poetry originated during his visit to Europe as a tourist in 1938. During this time, Taha developed a profound fascination with the picturesque landscapes of Europe, which he skillfully conveyed through his poetic expressions. His appreciation for nature in its most positive form was evident, as he focused on highlighting its inherent beauty rather than exposing any ugliness it might possess. Moreover, Taha's nature poetry prominently featured women, with love being intricately intertwined with the sensory experience of nature and shared moments with his companions. This research aims to pave the way for further literary and critical investigations into the influence of Arab poets on the Western manifestations, exploring every intricate detail and dimension. Additionally, it seeks to derive poetic connotations and their associations with novel contributions in the realm of Arabic literature.