"Exploring Gender and Alienation in the Works of Eugene O'Neill: A Comprehensive Analysis"

Abstract

Eugene O'Neill, a pre-eminent figure in American theater, delved into profound examinations of the human condition, often plumbing the depths of alienation and gender dynamics within his works. This article presents a thorough investigation of O'Neill's treatment of gender and alienation, achieved through a meticulous analysis of select plays. By employing feminist and Marxist literary criticism frameworks, the study explores how O'Neill's characters negotiate societal norms, power dynamics, and the existential angst of isolation. Through detailed scrutiny of O'Neill's intricate characterizations and dramatic techniques, this research illuminates the intricate interplay among gender, societal structures, and individual psychology within his narratives.The analysis reveals O'Neill's nuanced portrayal of characters grappling with societal expectations and the consequent impacts on their personal identities and relationships. By contextualizing his work within feminist and Marxist perspectives, the study offers insights into the broader socio-political implications of O'Neill's thematic explorations. Furthermore, this examination enhances our understanding of O'Neill's significance in shaping American theatrical tradition while also providing valuable perspectives on enduring issues of gender, power dynamics, and human agency.This article carries implications including relevance to contemporary discourse, theoretical contributions, and pedagogical applications.