Digital Literature: New Vision And Postponed Aesthetics

Abstract

Digital literature has emerged in response to life processes governed by development and change. Where cognitive momentum overwhelmed and digitization prevailed,

It was necessary to keep pace with the technological era and the information revolution. Digital literature has become a new and different literature, and has transformed from a readable paper text into an electronic offspring incubated by the World Wide Web, its determinants are alternative media, and its characteristics are interaction, speed, and shortening distances… If so, what is the nature of this literature? What is the new task undertaken by the digital text reader in light of the openness of the text and the rise of the reader’s authority with post-modernism trends? If the existence of literature assumes and requires the existence of criticism, is there electronic criticism associated with this type of literature?

If involvement in the worlds of digital literature is inevitable, then to what extent has literature maintained its privacy, literariness, and the aesthetics of its images in light of the multiplicity of media, the temptations of media, and the passion for digital worlds.