Social Harmony Through The Art Forms: A Historical Enquiry On The Presence Of Muslim Characters In The Hindu Art Forms In Kasaragod

Abstract

Kasaragod, in the northernmost part of Kerala, has a distinct cultural background, which came into being through a long historical process of synthesis of various cultures. Historically, the present Kasaragod was a part of the ancient Tulu Kingdom. Military expeditions and trade contacts from outside regions brought various communities into this area. Thus, it became a cultural hub of different ethnic groups and the ‘Land of Seven Languages’. Religions like Hinduism, Christianity, Buddhism, Jainism and Islam significantly influenced the formation of the pluralistic culture of Kasaragod. The culture of the Kasaragod region has peculiar traits that are quite different from other regional cultures in Kerala. The languages, lifestyle, art and architecture, literature, faiths, and social consciousness bestow a distinct cultural identity upon Kasaragod. The traditional art forms in various communities played an important role in moulding a separate cultural entity in the northernmost part of Kerala. Kasaragod has typical art forms, such as Theyyam, Yakshaganam, Alamikkali, Poorakkali, Mangalamkali, and Keleepathram.  Each item has its roots in the traditional beliefs of different community groups. Among the art forms of northern Malabar, Theyyam and Alamikkali have a significant role in promoting religious harmony. Both are performed in the ritual places of Hinduism, but the presence of Muslim characters is notable during their performance. This paper attempts to enquire about the Hindu-Muslim religious harmony and the working of secular aspects in the present Kasaragod.