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M. ASHOKKUMAR, Dr.R.ABBAS, Dr. I. NILOFER BEGUM

Abstract

The present study explores the architectural and cultural phenomenon of musical pillars in Nayak-ruled Madurai. Focusing on temples such as Meenakshi Amman and Nellaiappar, the study explores the acoustic properties and craftsmanship behind these pillars, which, when struck, produce melodic sounds resembling traditional Indian musical instruments. The pillars, primarily made of granite and adorned with intricate carvings, present a blend of art, science, and spirituality. Scientifically, the musical tones result from the resonance and acoustic properties of the stone, with varying sizes and densities contributing to the phenomenon. The research emphasizes the architectural brilliance of Nayak craftsmen, showcasing their advanced knowledge and skills. Beyond scientific aspects, the article underscores the cultural and historical significance of these pillars, reflecting the synthesis of Dravidian and Islamic architectural elements during the Nayak dynasty. The interdisciplinary approach integrates science and culture, providing a comprehensive understanding of the Nayak period's contributions to art and technology. As a testament to Madurai's enduring legacy, these harmonious stones invite further exploration into the intersection of science, artistry, and cultural heritage.

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Articles

How to Cite

Harmonious Stones: Unraveling The Acoustic Wonders Of Musical Pillars In Nayak Rule In Madurai. (2023). Journal of Namibian Studies : History Politics Culture, 34, 2738-2750. https://doi.org/10.59670/s4s16206