Piano Players and Works in Guangdong Piano Music: A Historical Perspective

Abstract

This paper takes as its object of study the pianists and works that have been introduced to Guangdong for more than four hundred years, including pianists of Guangdong origin, piano works composed by pianists of Guangdong origin, as well as people and their events that have worked in Guangdong and have had an This paper takes as its object of study the pianists and works that have been introduced to Guangdong for more than four hundred years, including pianists of Guangdong origin, piano works composed by pianists of Guangdong origin, as well as people and their events that have worked in Guangdong and have had an The pianists of Guangdong origin, piano works composed by pianists of Guangdong origin, as well as people and their events that have worked in Guangdong and have had an important influence on the development of Guangdong piano music.

The author, who works in a university in Guangdong, would like to take advantage of this opportunity to conduct more in-depth interviews with the predecessors who made outstanding contributions to the development of piano art in Guangdong, in order to excavate and study the issues related to piano art in Guangdong. predecessors who made outstanding contributions to the development of piano art in Guangdong, in order to excavate and study the issues related to piano music in Guangdong, and at the same time use the theories of music anthropology, music culture, historical geography and other disciplines to conduct a comprehensive sorting, treating the documentary and historical materials with a rigorous scientific research attitude, and trying to restore the true picture of the development of piano music in Guangdong The text is divided into three parts.

The first part (the first three chapters) includes the introduction, literature review, research methodology and design; the second part (chapters 4, 5, , 6 and 7) introduces the research on issues related to Guangdong piano musicians and piano works from the late Qing Dynasty to the present; the third part ( chapters 4, 5 The first part (the first three chapters) includes the introduction, literature review, research methodology and design; the second part (chapters 4, 5, 6 and 7) introduces the research on issues related to Guangdong piano musicians and piano works from the late Qing Dynasty to the present; the third part ( chapter 8) introduces some issues of Guangdong piano musicians and works, and the third part ( chapter 8) introduces some issues of Guangdong piano musicians and works, including music culture studies, cultural folklore studies The third part ( chapter 8) introduces some issues of Guangdong piano musicians and works, including music culture studies, cultural folklore studies Chapter 8) introduces some issues of music culture, cultural folklore, and multiculturalism.

Through the preliminary investigation and research, the author found that: from the beginning, development to flourishing, Guangdong piano music has laid a solid foundation for the development of various fields of piano music in China and played an active role in promoting it; from the wind and rain, from day to day, the development of Guangdong piano music has been integrated into the development of Chinese piano music; from the early introduction day to day, the development of Guangdong piano music has been integrated into the development of Chinese piano music; from the early introduction of the from the early introduction of the piano to the south coast of China, from the first Catholic church established by the Ming missionary Matteo Ricci From the first Catholic church established by the Ming missionary Matteo Ricci established by the Ming missionary Matteo Ricci to the first university in Guangdong, Lingnan University (now Sun Yat-sen University), it is enough to Especially after 1930, the piano became an instrument Especially after 1930, the piano became an instrument known to the intellectual class in the major cities of Guangdong, and its performance, education, composition and works contributed to the development Especially after 1930, the piano became an instrument known to the intellectual class in the major cities of Guangdong, and its performance, education, composition and works contributed to the development of piano music in China.