Ons Dala die Ding by Odalate Naiteke. The curative, performance and publicness in Katutura
This article reflects on a practice-led and Katutura-based intervention Operation Odalate Naiteke to explore how notions of performing and curating can be employed in mobilizing public art and trans-historic work. I relied on Oudano and other African concepts of performance such as Dala, to argue for an expansive and care-driven approach to curating and organizing radical education in the public sphere. Specific projects such as What is the Sound of Katutura in 1971? and Okapana Mobile Concert demonstrate the intersecting trans-historic and care work in the public sphere. The artistic work by Ouma Paulina Hangara, Lamek Ndjaba, Lovisa the Superstar, Maspara Pantsula, Ten Ten, and Trianus Nakale is discussed to make these connections between performance, publicness and the curative. Operation Odalate Naiteke as a radical education programme that facilitates site-related, trans-historic and trans-generational dialogic action through alternative publics situated on the margins of dominant and centralized public culture.
It is a condition of publication that authors vest the copyright of their reviews and articles, including abstracts, in the publisher of JNS, Otjivanda Presse. This enables us to ensure full copyright protection and the dissemination of the article and the journal to the widest possible readership. Authors may use the article elsewhere after publication as long as reference to its publication in JNS is provided. Authors are themselves responsible for obtaining permission to reproduce copyright material from other sources.